Candlelight VOX frequently has the privilege of collaborating with many other up-and-coming ensembles and soloists in Melbourne. Here are just a few!
ENSEMBLES
Divisi Chamber Singers
Featured in: Ascension, 2019 (concert openers, deputies in Mealor's Stabat Mater); Path of Miracles, 2020 (members of the semichorus).
Divisi is a volunteer chamber choir specialising in unaccompanied choral music. As a group of developing professionals, Divisi‘s primary aim is to enhance the proficiency of its members and artistic staff – musical and otherwise – through the performance and preparation of ensemble vocal music. The group’s members are sourced from the Faculty of Fine Arts and Music, Gondwana Choirs, and other premiere musical institutions. |
Storage Room Quartet
Featured in: PAUSE, 2019
Storage Room Quartet, led by Anna Keightley, is a string quartet which aims to connect different senses and with music in order to allow their audience to experience music in a refreshing context. Storage Room is a quartet of non-professionals and semi-professionals who have found they work very well together. fb: https://www.facebook.com/StorageRoomQuartet/ |
SOLOISTS
Lisette Bolton
Soloist in: PAUSE, 2019 (Esenvalds' Only In Sleep) fb: https://www.facebook.com/Lisette-Bolton-Soprano-107855534089644/ |
Amanda Hargreaves
Soloist in: Ascension, 2019 (Esenvalds' O Salutaris Hostia), From Darkness to Light (Wilcocks' Southern Star) |
Jessica Eastwood
Soloist in: PAUSE, 2019 (Pärt's Es Sang Vor Langen Jahren |
FEVER PITCH MAGAZINE:
Fever Pitch Magazine is the brainchild of soprano, musicologist, and editor Stella Joseph-Jarecki - a dear friend of Candlelight VOX. Fever Pitch published Candlelight VOX's first ever review (written by Nathan Michael Wright) and will assist us to launch our 2020 season with a companion article.
Stella frequently lends her voice to Candlelight VOX and will join us again in 2020 as a member of the Path of Miracles semichorus. |
"I really want this magazine to be a place which promotes lively discussions on the many pathways available to those with music training, be that a music degree from a university or instrumental training. I want to provide a space for young musicians, music therapists, music educators, composers, and arts administrators. To me, the work done by music professionals off stage is as exciting and worthwhile as the fabulous work done by performers on stage."